Discover Gone Girl as it's meant to be heard, narrated by Christiane Paul, Matthias Koeberlin. Free trial available! TV-Tipp: Nichts ist wie es scheint in „Gone Girl“. Eine Frau verschwindet, ihr Mann bittet die Nation um Hilfe bei der Suche. Aber ist Nick Dunne. Regisseur David Fincher zeichnet in seinem Thriller GONE GIRL - basierend auf dem weltweiten Bestseller von Gillian Flynn - das Psychogramm einer Ehe auf.
Gone Girl – Das perfekte Opfer (Film)Über Filme auf DVD bei Thalia ✓»Gone Girl - Das perfekte Opfer«und weitere DVD Filme jetzt online bestellen! kugladesign.com: Das Ende des „Gone Girl“-Romans unterscheidet sich in kleinen, ausschlaggebenden Punkten vom Film. Die Wirkung ist. Amy Dunne verschwindet an ihrem fünften Hochzeitstag spurlos. Alle Indizien rücken den Ehemann Nick Dunne in das Zentrum der mutmaßlichen Straftat, sein eigenartiges Verhalten trägt zum Verdacht seiner Umgebung nicht unwesentlich bei. Eigentlich.
Gone Girl Movies / TV VideoRosamund Pike on Rehearsing Sex Scenes with Neil Patrick Harris for Gone Girl Gone Girl book. Read , reviews from the world's largest community for readers. Marriage can be a real kugladesign.com a warm summer morning in North Ca. Darkly satirical and scintillating, Gone Girl forces us to look at the dark parts of ourselves, the validity of our relationships and societies propensity to pigeonhole women. Gone Girl is an example of mystery, suspense, and crime genres. A Reader's Digest review, for instance, notes that the book is "more than just a crime novel". The review goes on to describe Gone Girl as a "masterful psychological thriller" which offers "an astute and thought-provoking look into two complex personalities". Directed by David Fincher. With Ben Affleck, Rosamund Pike, Neil Patrick Harris, Tyler Perry. With his wife's disappearance having become the focus of an intense media circus, a man sees the spotlight turned on him when it's suspected that he may not be innocent. Gone Girl is gritty, violent, and at times cringeworthy. (Desi's mother's 'signature scent' makes me wrinkle my nose in disgust still.) Gone Girl is uncomfortable. It's not a feel-good story with a happy ending. Ironically, her soulmate, Nick, whom she married when she was 33, also has a Lena Esc, twin sister Margo. View all 15 comments. It allows for a slow, cleverly-painted picture to build up of this marriage and its Kinofilme Online Sehen Legal secrets, of Amy and Nick's state of mind. Buat buku Unduh versi PDF Versi cetak. Gone Girl is also the title of a Lew Archer story, in the Corona Fälle Landkreis Augsburg The Name is Archerby Ross Macdonaldwho Flynn has also cited as a favorite author. Greta Hat Aldi Talk Lte Holbrook Categories Fußballübertragung Heute Zdf films English-language films American films 20th Century Fox films crime thriller films psychological thriller Marki Mark thriller drama films Adultery in films American crime thriller films American psychological thriller films American thriller drama films Fiction with unreliable narrators Films about educators Films about missing people Films about murderers Films about psychopaths Films about twins Films about writers Heidi Folge 17 based on American novels Films based on thriller novels Films directed by David Fincher Films produced by Reese Witherspoon Films scored by Atticus Ross Films scored by Trent Reznor Films set in Films set in Films set in Films set in Films set in Films set in Films set in Manhattan Films set in Missouri Films shot in Illinois Films shot in Los Angeles Films shot in Missouri American nonlinear narrative films Regency Enterprises films drama films Best Thriller Film Saturn Award winners. The way it ended is priceless. Marianna Neal. Bridge and Tunnel. Dschungelcamp Staffel 11 in The Guardian on October 6,Joan Smith criticized what she saw The 100 Streamcloud the film's "recycling of rape myths ", citing research released in which Cinecitta Nürnberg Kinoprogramm Gone Girl false allegations of rape in the UK were extremely rare. Nick reacts violently to Amy's insistence that they remain married, but feels Louise Martini for the child. She has to be, in Heidelinde Weis Heute to manipulate, concoct and maintain all the plans she has over the course of her short life. I'm also going to encourage you to avoid all reviews except this one, haha! Isn't it time to acknowledge the ugly side?
Sean T Super Reviewer. Feb 06, David Fincher once again brings us another dose of his directing strength with Gone Girl. Beautiful cinematography, smart, well acted and near the end that made me drop my jaw.
I have but one complaint, I feel that Neil Patrick Harris was miscasted in this film. I have nothing against him, he's a really talented actor but I felt he didn't fit the role of his character, that's it.
If you haven't seen Gone Girl check it out, it will really get you thinking. Mr N Super Reviewer. See all Audience reviews.
Nick Dunne: I did not kill my wife, I am not a muderer. Amy Dunne: Hello, handsome. Margo Dunne: I got it. Go home, fuck her brains out, then smack her with your penis and scream, 'There's some wood for you bitch!
Nick Dunne: What are you thinking? How are you feeling? What have we done to each other? What will we do? View All Quotes. Best Horror Movies.
Worst Superhero Movies. Best Netflix Series and Shows. Go back. More trailers. All Creatures Great and Small. The Long Song. Miss Scarlet and the Duke.
The Watch. No Score Yet. The Circus: Inside the Greatest Political Show on Earth. Bridge and Tunnel. The Lady and the Dale. The Equalizer.
Devil May Care. Fate: The Winx Saga. Margo Dunne Kim Dickens Detective Rhonda Boney Patrick Fugit Officer James Gilpin David Clennon Rand Elliott Lisa Banes Marybeth Elliott Missi Pyle Ellen Abbott Emily Ratajkowski Andie Fitzgerald Casey Wilson Noelle Hawthorne Lola Kirke Greta Boyd Holbrook Jeff Sela Ward Edit Storyline On the occasion of his fifth wedding anniversary, Nick Dunne reports that his wife, Amy, has gone missing.
Taglines: You don't know what you've got 'til it's Edit Did You Know? Trivia During an August interview with New York Magazine, Tyler Perry said that he didn't know anything about the movie's source novel, or David Fincher , and that he wouldn't have accepted his role in the movie if he had: "I probably would have walked away from it.
If I had known who David Fincher was, and his body of work, or if I'd known the book was so popular, and so many people loved it, I would have said, 'No', and my agent knew that!
He didn't tell me until after I signed on, and the reason I wouldn't have done it, is because when things are that magical for people, and they become very special for people, there's a lot of pressure for it to be what they want it to be.
Goofs During the news segment of Ellen Abbott when Amy is watching and Nick is watching in the airport , the time on the clock says Not even three or four minutes later, the show's credits begin rolling.
By now, Amy has been missing for a full month, and Nick is facing arrest and the death penalty, but one morning, he experiences a sort of miracle.
On the thirtieth day of the ordeal, Nick wakes up on his couch to the sounds of tires screeching outside. When he opens the door, Amy staggers out of Desi's car and directly into his arms, giving the reporters on their front lawn a public, dramatic show.
Nick immediately confronts Amy, telling her he knows what she did, but she drags him into the shower and forces him to undress, just so she can be sure that he's not wearing a wire.
There, she tells him that he can't possibly leave his wife so soon after she's returned because his image will be forever ruined, especially now that she's painted him as an abusive, thoughtless husband who blew their money on golf clubs and animatronic dogs.
Nick turns to Tanner and Boney — who's immediately suspicious of the odd inconsistencies in Amy's story — but without a taped confession, they can't help him, leaving Nick alone in his home with a vengeful murderer.
As Amy plays house and plots her transition back into Nick's life, Nick is plotting on his own, and as the two sit down for an exclusive interview with Ellen Abbott herself, he practices a speech about Amy's real nature in the mirror with the sink running to keep his wife from hearing clearly, he's picked up some tricks from Amy herself.
However, Amy has yet another surprise waiting. Years ago, when the two visited a fertility clinic, Nick provided a sample, but he was led to believe the clinic had thrown them all away.
However, Amy got a hold of the samples and impregnated herself without Nick knowing, and the two of them are going to have a baby.
After an incredible tense showdown between the two, Nick realizes he has no choice. He must stay with Amy for the rest of their child's life, a fact that devastates his sister, Go.
But your spouse never sees those warts really until you get deeper into the marriage and let yourself unwind a bit. Reviewers have also noted Gone Girl' s portrayal of tricky nature of media representation and the blood thirst of the news industry.
Nick seems guilty due to media coverage before a trial occurs. There's no need for a body to arrive at a verdict. Characters in the novel are strongly affected by the Great Recession and the troubled economy.
Flynn has also said that she wanted this novel to capture the sense of bankruptcy that both individuals and communities feel when the economy spirals.
Not only have both her main characters lost their jobs, they have also moved to a town that is blighted by unsold houses and failed businesses.
I wanted it to really feel like a marriage that had been hollowed out in a city that had been hollowed out and a country that was increasingly hollowed out," said Flynn.
An underlying theme is the brief undertone of feminism, most notably represented in Amy's 'Cool Girl' speech.
For some, it is in this monologue that the otherwise despised Amazing Amy emerges as an unlikely heroine of sorts; flying the flag for women who refuse to succumb to the pressure to morph into the male's ideal.
Amy's "Cool Girl" speech and the vital task of Nick's performing for his media spectators, highlight the importance of establishing and maintaining appearances, however false.
Flynn said this: "The whole point is that these are two people pretending to be other people, better people, versions of the dream guy and dream girl, but each one couldn't keep it up, so they destroy each other".
She only returns to him after he gives a convincing public performance in the role of perfect husband.
However, it is not his sincerity she is attracted to, she knows he is putting on an act, but the appearance of it. Amy views Nick as her ideal husband in the end because she knows he must appear to be her ideal husband, permanently, due to her blackmail and the risk of public condemnation.
In exchange, she will appear as an ideal wife and mother, a trade Nick accepts. Both prefer the appearance the other projects over the reality of the person they married.
Gone Girl is an example of mystery, suspense, and crime genres. A Reader's Digest review, for instance, notes that the book is "more than just a crime novel".
The review goes on to describe Gone Girl as a "masterful psychological thriller" which offers "an astute and thought-provoking look into two complex personalities".
However, the novel does more with these devices than the thriller genre requires: "While serving their usual functions, they also do much more, launching us into an unnerving dissection of the fallout of failed dreams.
In her New York Times review, Janet Maslin also writes that the elements of Gone Girl that "sound like standard-issue crime story machinations" are not, because both narrators are also consummate liars and cannot be trusted to convey the truth about their own stories.
Gillian Flynn is a former writer for Entertainment Weekly who wrote two popular novels prior to Gone Girl — Sharp Objects and Dark Places.
Her other two books were about people incapable of making commitments, but in this novel, she tried to depict the ultimate commitment, marriage: "I liked the idea of marriage told as a he-said, she-said story, and told by two narrators who were perhaps not to be trusted.
Flynn admits to putting some of herself in the character of Nick Dunne. Like Dunne, she was a popular culture writer.
Also, like Dunne, she was laid off after many years at the same job. A brilliantly written and plotted mystery, a miasma of wretchedness and hate; a book that I devoured but deeply, utterly abhorred.
I will try to do this as spoiler-free as possible. Gone Girl is the alternating point-of-view, semi-epistolary novel that tells two stories about Nick and Amy.
In the first story, Amy met Nick in and falls in love with him. They get married. It is blissful. Amy is attentive. She is supportive.
She still loves the idea of her husband, though she knows things are falling apart. Nick becomes abusive, hateful, hurtful.
And then Amy disappears — just, gone without a trace. In his narrative, Amy is brilliant and beautiful, but also controlling, resentful, and hateful.
Their marriage is a sham. Because everything we think we know about Amy and Nick? Amy is not who we think she is, and Nick is…well, ok Nick is still douchetastically pathetic.
In this second story, we learn more about this toxic couple from hell, and the pit of spite and grief that is their marriage.
She creates two ok, three characters that are completely distinct, and she alternates these points of view with incredible deftness and ease, building a complex narrative — a complex crime — that is deeply disturbing but brilliantly executed.
The first part of the book makes you question what you know about these characters, their lives and their secrets. Everyone is unreliable, everything is questionable.
This is all really fucking good. This, I did not like. I hated the way the story develops in the second part of the book, and I especially hated the way that it ends.
I hated the pointlessness of the story — why does it need to be told? What does it accomplish?
What does it say about us, as people? He whines, he pretends, he is so full of incompetence and ennui and self-important horseshit.
He lost his job because TEH INTERWEBS ARE EVIL. He wants to be a MAN and Amy — brilliant, beautiful, spoiled, vindictive, Amy — has stolen that from him.
Which brings me to Amy. It turns out that Amy is not the eager to please doormat that she presents herself as in the first part of the book.
No, she is an honest to goodness sociopath that has elaborately planned and framed her cheating pathetic loser of a husband for her death.
Amy is brilliant and vindictive, cruel and efficient in her mastermind scheme to bring Nick DOWN. She BELIEVES Nick when he goes on TV and earnestly pleads for his wife to come home, so she does it just like that.
Are you fucking kidding me? THESE are the actions of the same methodical, patient mind that came up with this elaborate revenge scheme against her husband?
I repeat: ARE YOU FUCKING KIDDING ME? And that is the end of Gone Girl. There are plenty of other problems, too, but Ana has covered them all, below.
It opens on the day of their fifth anniversary, the day when Amy goes missing. Soon — as these things go — the investigators start to focus on the husband.
But is Nick guilty? Did he really kill his wife? If not, what happened to Amy? As the plot progresses, their story is slowly revealed to the reader: Amy is a WEALTHY, BRILLIANT, BEAUTIFUL, COOL New Yorker whose parents write the Amazing Amy children stories.
Nick is a BRILLIANT, HANDSOME journalist writing about pop culture for a magazine. As such, her diaries entries are all faked concoctions. It becomes clear then that Amy is really, a psychopath.
Gone Girl almost had me there for a while — I can vouch for how incredibly readable and engaging it is. I could not put it down and I had to find out what was going to happen to these people.
I also thought that structurally speaking — with the alternating unreliable narratives — the novel was competent. It was also a success in the way that it portrayed its two deeply unpleasant, unlikeable main characters.
The reader is supposed to despise these people, and loathe them I certainly did although it made for a fucking unpleasant reading experience.
But ok fine, this is a very personal reaction. And if a reader is used to reading epistolary novels, unreliable narrators and thrillers, it is easy to know that a twist is coming.
Considering all this, is the main twist even that surprising? That said, this is not my main point of contention with the novel. The recurring themes are what give me pause for thought.
It is possible to argue that the one of the main themes of Gone Girl is its thoughtful examination of marriage difficulties; or to question how well two people can really know each other or allow the other to know you and, unfair expectations.
SO you know, BE CAREFUL. This means that the book only really works on its own microcosm of darkness. Another recurring theme throughout is the question of misogyny.
Amy on the other hand, is presented as a kind of feminist with her astute observations about social gender constructs by constantly calling on the bullshit of unfair social expectations around her gender.
So on a cursory glance one could argue that the book is feminist. He is also the one who in the end, needs to contain the psycho bitch by staying with her and helping her bringing up their child.
So then all of a sudden this passive-aggressive, liar, stunted, cheater is the HERO? HAHAHA: NO. And you could argue that these PEOPLE ARE HORRID and so of course, it all makes sense.
But the NARRATIVE SUPPORTS ALL THIS SHITNESS by presenting every other woman in this novel as HORRIBLE PEOPLE TOO, without nuance. Plus, the one guy that Amy has accused of rape turns out to be innocent because really, he is just a Nice Guy and we all know that only ALPHA GUYS are rapists.
Nice Guys are NEVER RAPISTS. The one main thread of the book, the one point that is laboriously written through the first two parts is how Amy is incredibly smart and brilliant.
She has to be, in order to manipulate, concoct and maintain all the plans she has over the course of her short life.
But then get this, right? Nick concocts his own plan to make Amy change her mind and come back. And his plan consists of appearing live on TV and saying that he forgives her, that he understands who she really is and he loves her anyway.
AND IT WORKS. Amy — psychopath, brilliant Amy — has a change of heart almost as immediately as she watches his interview.
BUT the first half of the book was all about setting up and making sure we understood how much of a bullshit detector Amy actually had.
So which one is it? Either she is a brilliant psychopath or a gullible idiot. SHE CAN NOT BE BOTH, BOOK. And I am going to nitpick too: Nick is in his early thirties buy he sounds fucking ancient.
In summation: I devoured Gone Girl but I fucking hated it. View all 33 comments. I've been completely fangirling over Gillian Flynn since her debut Sharp Objects six years ago.
It remains one of my all-time-favorites, along with Flynn's sophomore novel Dark Places. No one writes the inner workings of warped and damaged human psychology better than this woman.
With complete conviction I place her in the same category alongside the likes of Flannery O'Connor and Shirley Jackson. Flynn has a devilish, uncanny flair for creating memorable characters and twisty plots that drive d I've been completely fangirling over Gillian Flynn since her debut Sharp Objects six years ago.
Flynn has a devilish, uncanny flair for creating memorable characters and twisty plots that drive down unexpected roads shrouded in fog the end of which you cannot see until you're smack upon it.
So you can bet I've been anxiously awaiting this latest release with agonized, bated breath. Despite missing some of the texture and nuances of her first two books, this time out Flynn has offered up a bonafide page turner of the sordid, sensationalist kind that makes summer reading oh-so-sweet.
Trust me when I say, if you're only going to take one book to the beach or cottage this summer, it's gotta be Gone Girl. I'm also going to encourage you to avoid all reviews except this one, haha!
Even more than her other novels, Gone Girl is so easy to spoil. Which is why I'm going to say very little about the actual inner workings of the story itself.
And if I feel the need to get even close to doing that, be rest assured it will be put behind a spoiler tag. A list of lovables: Narrative voice : What makes Gone Girl such a compulsive read is the alternating points of view.
Dueling voices in any novel can result in epic fail , especially when the voices are so similar as to be indistinguishable. If you're going to tell the story from different points of view, you better make sure the points of view are actually I don't think I've ever seen alternating voices handled so effectively as they are here with husband Nick and wife Amy.
As you read, you begin to wonder if either of these narrators are in the least reliable , if you're perhaps not getting full disclosure after all.
I absolutely adored that pernicious doubt and shifting sympathies. It's like watching nature programs that can be shot to make you cheer for the wolf pack one week, and for the moose the week after.
Is this manipulative? You bet it is! But trust me, being manipulated by a master like Flynn is sheer delight.
Media as judge, jury and executioner : C'mon, we all know it don't we? Murder suspects of every sort and circumstance are tried first in the media and found guilty or innocent before the case ever makes it to trial.
Before an arrest is even made, pundits, "news" anchors and bloggers put forth his or her theories and "insights" decrying yay or nay.
You've seen Nancy Grace at work, haven't you? Flynn does a wonderful job here of dissecting our at times unhealthy, obsessive appetite for the sordid.
How our voracious consumption of mass media provokes sympathy or outrage, how easily we are influenced to see a person as a saint or a devil.
Innocent until proven guilty? Not so much these days. And good luck finding an impartial jury. Change of venue?
With the meteoric rise of social media, you would have to go all the way to Mars in some instances in order to enlist "untainted" jurors.
The only thing humans do with more abandon and conviction than fall in love is fall out of love : Love is grand, marriage can be a beautiful, wonderful thing The rise and fall of any relationship carries within it the potential to be staggering in scope and severity.
What we once adored about one another, we now loathe. What we lingered over and savored to the last sub-atomic particle, we now want to obliterate from our awareness, pull an eternal sunshine of the spotless mind if you please.
Oh yeah, I think we've all been there. More than anything, Flynn is putting gender relations and the perils of romance under a microscope, and her scrutiny doesn't miss a thing.
It's tawdry, and titillating, and twisted, and didn't I already say the perfect effing read for this summer??? You bet. The only fly in the ointment here is that Flynn manages heaping amounts of sensational, but only moderate traces of substance.
This novel's engine runs on the nitroglycerin of shocking twists and the suspension of disbelief. Retrieved September 13, September 11, Archived from the original on September 16, Retrieved October 5, Archived from the original on October 6, Rolling Stone.
Retrieved March 3, Consequence of Sound. Townsquare Music. Retrieved November 11, The Hollywood Reporter.
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The Economist. Slant Magazine.